




Tie-Up Textiles was established through two core values; to offer an alternative to the mainstream motifs often associated with interior fabrics, and to pay homage to the dying era of artisanal handwork. This thought provoking line is intended to step away from trend to focus on nonconformist texture and an eye-catching use of color in limited production runs. Highly influenced by a curiosity for early 20th-century manufacturing and a deep romance toward the desolate landscapes of southwestern America, my inspiration brings to life a unique approach to the fundamentals of design. Paired rustically, industrially, and even urban to the farmhouse, I strive for an out-of-the-box, visual and tactile experience.
THE BRAND
Kathleen Fitzpatrick is a designer trained in both traditional and modern textile practices. Holding a bachelor's degree from Pennsylvania's Kutztown University in material studies and art history, she began her textile-focused career immediately following graduation. For six years, Kathleen worked as an account manager at a globally recognized digital print firm. Her strong understanding of trend forecasting paired naturally with the organizational skills required for this niche market. Additionally, flawless communication skills and a passion for interior space proved Fitzpatrick to be essential in guiding textile designers and established artists through the process of building private label collections. Her role included assistance with fabric selection, designing repeats, and color management.
In 2016, Kathleen shifted her extensive knowledge and enthusiasm for all things home and established her line, Tie-Up Textiles. This boutique business is dedicated to preserving the art of hand weaving and dyeing, while also challenging these practices to make them entirely her own. Kathleen's work can be found both domestically and internationally as she continues to transform how we interpret traditional design.
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THE DESIGNER
"Tie-Up" Refers to the Map or Draft Used to Create a Weave Structure

When it comes to my process, everything originates and is developed through my hands. Tie-Up's woven work is drafted from start to finish on four floor looms within my small Delaware studio. My dyed fabrics are prepped and processed in small batches, making each piece unique. Additionally, little to no outsourcing is used throughout any of my production practices. Finished products such as custom pillows, tabletop linens, coasters, and accessories are all stitched and packaged in-house. Tie-Up Textiles keeps a low overhead to provide the highest quality, cost-considerate goods. The yardage collection is printed on natural fibers using water-based pigment inks. Whenever possible, I partner with local mills and encourage environmentally friendly practices to help significantly reduce my carbon footprint. At Tie-Up Textiles, home is my passion and sustainability is my commitment.
THE PROCESS